Sunday, July 25, 2010

Native Nod


Native Nod was a band like no other.

If you've ever listened to them, then you know their sound is difficult to describe--it's a mix of timing and nervous uncertainty (along with excellent lyrics). These guys were ahead of their time.

With a total of only nine songs on three seven inches and one compilation, they seemed to have made their mark on the Emo scene. I find their song "Tangled" to be particularly great, though the rest of their work holds up just as well.

Go here to see an awesome post about them. Be sure to read all the way through (link also from here).

Go here for the album art for their releases (oddly enough there isn't a lot of art for their discography Today Puberty, Tomorrow the World).

Their discography has all of their songs. No idea where to find live performances (other than "Answers" and "Tangled" on YouTube).

Friday, July 23, 2010

Shroomunion


Shroomunion was a band from Alabama(?) that existed during the 1990s ('93-'95). They had both a male and female vocalist and usually switched off every other song.

Like many bands of the 90s Emo scene, they incorporated emotional/heart-felt lyrics in their compositions. However, unlike other bands, some of their lyrics depicted a bleak and somewhat frightening setting that is jarring to say the least (that is, if you can understand what they're saying).

Like their name may depict, they are quite addicting (but not in a bad way), and some of the settings that they describe may seem all but impractical unless you were on some kind of hallucinogen--they make you feel scared beyond normal freight, but you're hooked and you want more.

Shroomunion came out with three total releases: Fairytales And Dreams (1993 Seven Inch on Repercussion Records), Adv-M9 Loves Adv-M10 (1994 Ten Inch on Monopoly Records), and Shroomunion (1995 Self-Titled Seven Inch on Inchworm Records). They apparently have a live bootleg entitled You Will Always Be Remembered [the title is a line from their song "Clair"] on Extinguish Fanzine, but there doesn't seem to be any information on that. The bootleg also features vocals from Adam Nanna (of Indian Summer) as a guest.

Their song "Calm" is a song that is often mislabeled as "Rain Dance," and was featured on two compilations: We've Lost Beauty: A Compilation for Christopher (1996 Twelve Inch on File-13 Records), and Eucalyptus (1995 Two Seven Inches on Tree Records).

Inchworm Records is supposed to release a 21-discography entitled 21 Requiems, but as of 2010, that hasn't happened yet.

Below is their entire discography to date (minus the song "Calm," because I'll post the comp. later). One of the links is complete with information and scans of the artwork.

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(IMPORTANT NOTE: The untitled song (track 03) is supposed to be titled "Jesus Headlights" and should be track 05 [it was an unlabeled song that followed "Crackpipe Dream"].)







Version 1 comes with information on the band's releases/etc.

Version 2 has the song "Reloading" (I can't find any information on it; I'm pretty sure it's a Shroomunion song, but if it's not, let me know) that comes after "Monkey Song" and before "Nightlightfright." This version was taken from here (the blog is in Russian so be ready to translate--it also does a great job with their history/shows/etc.).





This comes with a zip file of scans from various releases.
All links (except "Adv Version 2") came from here.

Thursday, July 22, 2010

Policy of 3

Policy of 3 was a band that was influenced by the works of bands on the Dischord label.

To me, their lyrics are what make this band so note-worthy--they are urgent and deal with very difficult topics such as rape (in their song "Space Cadet") and abuse (in their song "Nine Years Old"). Though not much is known about them, it's obvious that they were passionate about their work.

To quote their Anthology Insert (taken from their Myspace):

"Though Policy of 3 is probably considered an Emo band due to the era in which we existed, I will always think of us as a hardcore/punk band, because the band was inspired by the best elements of the New York City hardcore/punk and Dischord scenes of the late 1980's and early 1990's. However, the real motivation behind the band and the urgency directed to our music probably had more to do with the absurdities which were frequently and consistently expelled from the hardcore/punk scene before and during our early days as a band. This was a time of skinheads and the spectacular implosion of the straightedge scene on the East Coast when the self-righteous fell off the wagon. This was a time of Hare Krishna and vegan facism; two brief epochs which made so many punks look so stupid. This was a time style seemed to triumph over substance. This was a time of creeping commercialism and slick professionalism. This was a time when hardcore bands praised the Gulf War. This was a time when Punk Rock merged with metal then merged with Grunge. This record might sound hopelessly dated and irrelevant in the year 2004 (and beyond). However, at the time these songs represented an attempt to create something all our own, something that was removed from the machismo of the pit and the esoterica of post punk." - Chris Fry"

When I first listened to the song "Nine Years Old," I was blown away by the story-telling and tragic sense of the lyrics such as:

"... scared and stammering he told his mom of the boys, the knife, and the water. She beat him for being somewhere she told him not to go. Where was the love this child was supposed to know? Never cried, held it all inside..."

On their 2-disc Anthology, they included live songs at the end of the second disc that do a great job of tying up the set.

Here's their Anthology from Ebullition Records:


Disc One

Disc Two

Wednesday, July 21, 2010

Maximillian Colby


As my first official post, I'd like to kick things off with a band I've been into for a while: Maximillian Colby (aka Max Colby for short).

Max Colby was a band who, unlike many in the genre of Emotive Hardcore, was more focused on atmosphere from the instruments, rather than relying on vocals (many of their songs had very small ammounts of vocals). They had a particular strong point in timing in their songs that was so spot-on it made them legendary (they would inspire bands such as Circle Takes The Square, Envy, and City of Caterpillar, among others). Saddly, their existence wasn't known about much out of their home state of Virginia, and after their bassist died they broke up.

Despite their demise, three of the four members formed a band called Sleepytime Trio (I have yet to get into their material), as well as a few other bands. They have a sixteen-song discography on Lovitt Records.

And So It Begins.

Well, the blog is finally up and running. I will be using this to post, talk and review music.